Genesis Studio 16 - Review Components

Conclusion
The Genesis Studio 16 is an interesting component set on many levels. While the mid/high driver, with its midrange cone and tweeter dome powered by a single motor and voice coil, is unique on its own, its odd size and limited mounting options prove this component set will only be appreciated by a special few. It also comes with a couple of notable response flaws and the midbasses could be more powerful given their relatively limited frequency band.

While there's no disguising the Studio 16's faults, its usability far outweighs the negatives when one considers this system's ability to generate a linear frequency response (at normal listening levels) and an amazing soundstage-the latter due to the system's ability to produce an excellent off-axis response, keeping the stage wide and organized. And then there is the low crossover point of 300Hz between the midbass and mid/high driver-with a little fabrication, the reasonably small size of the mid/high drivers allows them to be mounted high in a dash or A-pillars where the vocals can transpire without interruption. When combining the system's low crossover point and broad off-axis response with a high mounting position, the Studio 16 should easily be capable of producing a well-rounded response complete with a stellar soundstage inside a car.

There's no doubt in my mind that the Genesis Studio 16, when installed properly, will keep most mobile audiophiles glued to the driver's seat, but those willing to fund the $1,999 cost of entry had better be prepared to fork over some additional capital on a custom install